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Interested in learning about pro-audio mixing techniques? Faders Up: Modern Mix Techniques combines tips and perspectives from nine of today’s top sound engineers, plus 1-on-1 pro mentorship on your work for six weeks from a Mainstage Mentor. Preview the course for free today. 

If it’s really, really bad, you might have to worry about some of the comped-together vocal notes being out of tune — in which case, don’t be afraid to break out your favorite pitch-correction software like AutoTune or Melodyne to touch up any shaky notes. Depending on the genre, you may want to run the vocal through pitch-correction software anyway, as it provides a nice presence and sheen commonly found in high-end, radio-ready productions.

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Mixing therefore does not necessarily include worrying about the final volume level, dynamic range, stereo image width, or any concerns about how it might sound on the many different playback systems listeners may be using. Those will all be taken care of in mastering, when we look at the song as a whole and how it will be presented to the world. Mastering is the set of processes aimed at the final combined stereo output after all the mixing work is finalized.

That night, Steve Forbes, ex-Republican Presidential nominee candidate, hosted the show. The band tried to hang upside-down American flags on their set to make a statement about the forthcoming election but were told they could not do that by SNL executives. Being on the show was controversial as is, but in true Rage fashion, they had their roadies put the flags up anyway. Literally seconds before they went on, the SNL crew tried to take the flags down. Rage was ordered to leave immediately and did not get to play a second song.