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    The specific frequencies you choose to boost will vary from track to track, and especially from genre to genre. It’s common to apply a subtle boost on the high end using a gentle shelf, typically around 8 kHz or so. So be sure you don’t bring back any of that nasty sibilance — and be careful boosting between 3-6 kHz, as it often causes the vocal to sound shrill and harsh.

    Jonathan is a Brooklyn resident, musician, writer, and ping pong aficionado. His career in the theatre has spanned acting, music direction, production, carpentry, and more. As a marketer he has worked with major brands in music and fashion. He is a proud member of AEA and NATS. Follow him on Twitter @writerninja and on Instagram @jonnyhack.

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    To add more character to your drums, try panning each piece in your kit in a thoughtful way. This will help keep sounds from getting muddled and will be great for later when you need to differentiate instruments like the kick and bass. This also gives you the opportunity to spice up you drum part with a bit of unpredictability. For example, if your kit includes claps, each hit could switch from falling on the left or right side.

    Okay, to really get your head around phase, we need to move beyond the on/off perspective we just outlined. Phase is quite literally a relationship of degrees. In other words, our “out of phase” sine wave has a 180° phase relationship to its mirrored counterpart. Were we to gently move our duplicate sine wave through all degree positions in the phase relationship, we’d encounter different degrees of cancellation, and therefore different degrees of amplification and attenuation — from silence to peak volume and everything in between.

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