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Sorry if you weren’t there, but the late ’90s and early 2000s were fantastic. Once P2P was pioneered via Napster, the floodgates opened and the world of music sharing was here to stay. As an artist and a listener, my personal opinion is that we’ve regressed from that time. The problem with the P2P era, admittedly, was that artists were not getting remunerated for their recordings as disruptive tech eagerly pulled down the bloated major-label system. But, well, we’re still not getting paid that much anyway.

Crowdfunding campaigns with pitch videos receive average contributions up to 12% higher than campaigns without. They’re also more likely to get shared on Indiegogo’s homepage. Finally, their success rates jump about 20 to 30 points on average.

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This more complex view of phase interaction is more applicable to the real-world scenarios we encounter as musicians and producers. You might be struggling to record a drum kit with multiple mics and losing that precious oomph in the process. Your studio monitors could start sounding a bit odd, because each side is interfering destructively with the other while their sound travels through the air. You may find that a certain parallel processing hack or sample replacement makes your sound thinner rather than awesome-er.

Unemployment is still rampant (10.4% as of July), and PROMESA, a much-contested law passed in 2016 that promised to stabilize the island’s economy, has wrought austerity measures, from cuts to services and pensions, to controversial labor reforms and the threat of significantly slashing the budget for the University of Puerto Rico.