To add more character to your drums, try panning each piece in your kit in a thoughtful way. This will help keep sounds from getting muddled and will be great for later when you need to differentiate instruments like the kick and bass. This also gives you the opportunity to spice up you drum part with a bit of unpredictability. For example, if your kit includes claps, each hit could switch from falling on the left or right side.
Okay, to really get your head around phase, we need to move beyond the on/off perspective we just outlined. Phase is quite literally a relationship of degrees. In other words, our “out of phase” sine wave has a 180° phase relationship to its mirrored counterpart. Were we to gently move our duplicate sine wave through all degree positions in the phase relationship, we’d encounter different degrees of cancellation, and therefore different degrees of amplification and attenuation — from silence to peak volume and everything in between.
In this new series of spotlights, we’re introducing our full roster of Soundfly Mentors so you can choose who you want to work with on your next project!
Grants for nonfiction writers
In this OpEd from a former Soundfly student, we explore the effective active learning approaches key to getting the most out of any learning experience.
Decades before he was laying down the bass track for Daft Punk’s “Get Lucky,” consummate studio session man Nathan East was playing on hit records left and right. A song that is a little bit hard rock, a little bit R&B, done by a band that until then was sort of new-wave-ish, “Would I Lie to You” seems like a fitting way to end this list.
Cardioid polar patterns are typically best for recording single voices as they offer the most noise rejection. Bi-polar, or bi-directional, pickup patterns are great for recording interviews as they capture sound from the front and back of the microphone. Omnidirectional pickup patterns capture sound from all directions, which is great for recording a large group of people, but it often captures a lot of ambient noise.
And here’s the best part: We want to hear from you, too! Join us in this open conversation and share your stories, share photos of your home studio, share your questions and answer others, all via the #homerecordingweek hashtag on whatever social media platform you prefer.
Now be honest. When you read that title you were flooded with a bit of nostalgia, right? Even if you’ve never really used a cassette to play your music, odds are you have childhood memories of your parents popping in the Twisted Sister Christmas tape or remember wishing your crush would make you a mix tape that held all the best Cure songs
Most gangster rappers
Everything that was once old becomes new again. First it was vinyl and now we want to make a case for a medium that quite frankly doesn’t get enough love — the cassette tape.
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Comparing yourself to other singers is a recipe for disaster. The trick to cementing your confidence is by finding your niche — working to discover that thing that makes your singing completely unique. Whether it is that you can belt like a demon, hold a note for two minutes, have a sexy glottal growl, a husky sultry tone, a perfectly seamless vibrato… Whatever it is, it’s your task to identify it, master it, and exploit it!
You’ll learn how to dissect the specific elements that make hip-hop unique as a genre, and master them in your own music. Another of the many great perks of joining this course is that we’ve partnered with our friends at Splice to give all students two months of free access to their library of samples, so you can get started sampling and making hip-hop beats immediately!
The right book, or set of books, can play an enormous role in your development as a producer and audio engineer. Be it a book meant to be a reference text in case you ever run into a stumbling block or one meant to inspire you with stories and perspectives from the pros, having a stocked shelf in your studio will ensure that you’ll never be alone to figure things out.