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However, sometimes the music pours out too fast, or I have to cram a bunch of writing into a single night to meet some kind of deadline, then there’s less of an opportunity to analyze oneself and the only thing to do is trust that the little musical navigator will stop you from repeating yourself… Both methods are absolutely terrifying!

In particular, the overall aim of all of our programs is to promote active learning, where students are putting concepts into action, getting feedback, and making progress by doing, rather than passively ingesting information. We do that through intense personalization — by providing a personal mentor matched to your needs and a structure that supports your learning experience.

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Now, you’ll also need to work out a door split with the venue. I always ask for the door split to be increased as we well more tickets. If I do a great job planning a show that brings in a ton of people, I think it’s fair to say that I should be rewarded by getting a better door split. The more people I bring in, the more money the venue makes on alcohol sales.

That was the beginning of my journey toward understanding the complexity of audio work and, more specifically, about the role of mastering in the recording process. Having performed music live for years and having dabbled in the studio, I understood that both used mixing; but I had never heard of mastering. How is it different than mixing? Why is it needed? Why didn’t my mixing engineer just do that work for us? I went looking for the answers.