Grants for building a performing arts center

One such example is here in “Let’s Go,” where bassist Benjamin Orr does a double chromatic run in the interlude at the end of the chorus and leading into the “She’s laughing inside” verse. It’s a simple, basic riff, starting at the major third, walking up three notes to the fifth, and continuing with another four-note chromatic run up to the octave. It comes at an opportune moment, building up the suspense leading into the last set of verses, in an already high-tempo, high-energy song.

This is actually a really common method for tons of artists and topliners. There’s a great “making of” video on YouTube of Jon Bellion and how he developed the songs and lyrics for some of his songs on his record, The Human Condition.