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This is one of my favorite tucked-away towns in the country. After stopping here on my way between Seattle and Vancouver, it’s easy to see why this would be a must-stop for touring musicians of all kinds. Although you might think its quaintness works against it, small-town Washington state has long harbored thriving bastions of DIY creativity since the 1970s. With a few local independent labels and a local music publication called What’s Up! Magazine, this tiny town is worth visiting, to make some great connections and play for an awesome crowd! Bonus trivia: It’s where Death Cab for Cutie originated from.

And for a bonus, because it’s not strictly designed for musicians, Google Analytics is worth checking out if you’re obsessed with learning more about the fans who visit your website. This platform is designed to help businesses (if you sell music, then you’re a business) better understand and serve their customers, and that makes it perfect for you.

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Kakashi is another example of a great record that went into obscurity after its first pressing only to be dug out and rereleased by Better Days and Jet Set Records. Shimizu, a saxophonist and composer, worked with all kinds of musicians and collaborators, including Sakamoto and even artist Nam-June Paik. This record is deeply hypnotic and visits all kinds of soundscapes throughout, always with the saxophone placed at the center of attention.

You can hear how popular this song really was in Live at the Apollo by listening to how bonkers the crowd goes during that track. But while their faith may have been restored, they still didn’t see Brown as anything more than a single artist, inconsistent at best.